Fondation Beyeler is presenting Pierre Huyghe from 24 May to 13 September 2026 in what the museum describes as a major exhibition conceived specifically for the site and the artist’s first solo presentation in a Swiss museum. It combines newly created works with key pieces from recent years. [1][2][3]

The exhibition is an environment, not a checklist

Huyghe’s practice treats the exhibition as a dynamic situation. The museum describes works at the intersection of cinematic, technological, biological, physical and digital elements; the LAS Art Foundation’s account highlights moving images, sound, objects, living organisms and machine learning. The point is not that every visitor sees the same stable object, but that the conditions of perception are part of the work. [1][3]

That framing changes how a museum visit can be interpreted. A sensor, a living process or a changing projection is not simply decoration around a sculpture: it changes timing, attention and the boundary between artwork and surroundings. Wallpaper’s review describes the show as an immersive takeover of the museum, while the Fondation’s own description keeps the emphasis on new works, recent pieces and an uncertain universe. [1][2]

The reusable lens is to ask what an exhibition makes measurable. In a conventional gallery, one can inventory objects; in a living system, the evidence includes movement, sound, response and the visitor’s position. Huyghe’s show makes that shift tangible without requiring the audience to accept that technology automatically makes art better. The critical question is whether the sensors and biological elements create a meaningful relation between time, place and interpretation.

A useful way to navigate the show is to treat each encounter as a small experiment. What changes when a sound, organism, sensor or algorithm enters the room? Which part is directly observed, which part is an interpretation and which effect needs more time or another instrument? This keeps the experience open without making every sensation a claim. The Art of Data Storytelling supplies the same discipline: show the signal, explain the mechanism and name the limit. [1][2][3]

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References

Fondation Beyeler24 May 2026Pierre Huyghe Wallpaper*8 Jul 2026At the Fondation Beyeler, step into Pierre Huyghe’s deliciously creepy dystopia LAS Art Foundation1 Jun 2026Pierre Huyghe at Fondation Beyeler